Abstract
This article proposes a novel compositional technique that extends Johann Sebastian Bach's contrapuntal tradition through a mathematical lens. While the Fibonacci sequence and the Golde Ration have long been associated with proportional structures in music, their application has typically relied on integer starting values. Here, we introduce the concept of a generalized Fibonacci sequence in which the initial values may be chosen as any real numbers, thereby generating new, nontraditional intervallic successions. For example, selecting 4.5 as the initial value yields a sequence in which the first generated interval corresponds to the augmented fourth, with subsequent intervals derived from recursive addition. By mapping these sequences onto pitch intervals, melodic structures, and contrapuntal designs, composers gain access to an expanded palette of mathematically grounded yet musically expressive resources. This approach not only reimagines Bach’s systematic methods of fugue construction but also contributes to the ongoing dialogue between mathematics and contemporary composition.
(Research Proposal)
Abstract
This research proposal investigates methods for transforming audience movement into musical material through the use of motion-capture data and artificial intelligence (AI) within a real-time electro-acoustic composition framework. The study aims to design an interactive system in which sensors track audience gestures and spatial dynamics, while AI algorithms analyze these data streams to generate or modify sonic elements during performance. By integrating these responsive sounds into an electro-acoustic composition, the project seeks to create an immersive environment where listeners become active participants in the musical outcome. Drawing on both contemporary technological practices and the expressive potential of interactive sound design, the research explores new forms of audience engagement, live compositional strategies, and the evolving relationship between human movement, machine interpretation, and musical creativity.
Abstract
This article explores the integration of artificial intelligence (AI) and movement-detecting sensors to facilitate real-time audience interaction within an electro-acoustic composition inspired by elements of Persian traditional music. The study investigates how audience gestures and motions can be captured through sensor technologies, processed using AI algorithms, and transformed into responsive sonic material that becomes part of the live performance. By combining interactive technological systems with the modal and expressive characteristics of Persian musical traditions, the work proposes a new framework for immersive, participatory concert experiences. The findings demonstrate how AI-driven movement interpretation can expand the creative possibilities of electro-acoustic composition and redefine the relationship between performers, audiences, and musical space.
(An extract from master's dissertation)
Abstract
This thesis explores the multifaceted process of realizing an electro-acoustic composition for orchestra, emphasizing the intersection of artistic intention and practical constraints. It examines how factors such as budget, rehearsal scheduling, acoustic characteristics of performance venues, and the availability of specialized equipment directly influence compositional decisions and performance preparation. The study investigates the technical integration of fixed-media electronic elements with live orchestral performance, addressing issues of synchronization, monitoring, and sound-system design. Using the composition Irregularity as a central case study, the research analyzes the collaborative dynamics among the conductor, musicians, and electro-acoustic operator, showing how communication and planning shape the coherence of the final presentation. The findings highlight that the effective performance of electro-acoustic orchestral music relies on meticulous coordination across technical and musical domains, ensuring that the electronic and acoustic components function as a unified artistic whole.
Abstract
This article examines the practical, technical, and logistical considerations involved in preparing and performing an electro-acoustic composition for orchestra and electronic sounds. Drawing from a real case study, it outlines the challenges posed by financial constraints, rehearsal planning, venue acoustics, and the integration of electronic playback systems. The discussion highlights the importance of equipment selection, speaker configuration, synchronization methods—including click tracks and cueing—and the critical role of communication between conductor, musicians, and sound engineers. Attention is given to the differing perceptual experiences of performers and audiences, emphasizing the need to balance acoustic and electroacoustic elements with precision. The study concludes that successful realization of such works depends on thorough pre-performance planning, collaborative coordination among all participants, and a detailed understanding of both musical and technical demands.